The New Criticism

Aesthetic Confusion: The Legacy of New Criticism

The Art of Criticism? Criticism as Art!

the implied reader in 18th century literary criticism

this thesis is going to delineate the concept of the reader as implied in 18th century literary theory; based on the study of the major reader oriented elements of criticism of the age-taste, the sublime, and aesthetic pleasure-its aim is to explain what sott of reader is implied and what kind of response on the part of the reader is proposed in 18th century english literary theory and aestheti...

New Testament Textual Criticism: The Case for Byzantine Priority

1. From the beginning of the modern critical era in the nineteenth century the Byzantine Textform has had a questionable reputation. Associated as it was with the faulty Textus Receptus editions which stemmed from Erasmus' or Ximenes' uncritical selection of a small number of late manuscripts (hereafter MSS), scholars in general have tended to label the Byzantine form of text "late and secondar...

Criticism of Benacerraf’s Criticism of Modern Eleatics

I analyze here Benacerraf’s criticism of Thomson arguments on the impossibility of ω-supertasks. Although Benacerraf’s criticism is well founded, his analysis of Thomson’s lamp is incomplete. In fact, it is possible to consider a new line of argument, which Benacerraf only incidentally considered, based on the functioning laws of the lamp. This argument leads to a contradictory result that comp...